E.A.R. is
the brainchild of Tim de Paravicini, whose name has been associated since the
1970s with electronics of the highest fidelity. De Paravicini's innovative
techniques have not only borne fruit in products for E.A.R., but in designs for
some of the world's most highly regarded electronics manufacturers. Some of
these designs have been continually prized--and sought--by discerning listeners
for decades after their introduction.
Tim de
Paravicini has also made unique contributions to the world of professional
recording and mastering. Users of his tape recording systems, microphones, and
other recording technology include performers Pink Floyd and Lenny Kravitz, and
the Altarus and Water Lily record labels. One of the world's highest-ranked
mastering facilities, The Exchange in London,
uses two playback systems in which the entire chain--from tape machines and
equalizers to cutter amplifiers and monitoring equipment--is E.A.R.-designed
and built.
E.A.R.
amplifiers are unequalled in their ability to deliver a pure rendition of the
signal fed into them, free from the colorations and distortions of most
amplifiers. Tim de Paravicini has been instrumental in investigating the role
of ultrasonic resonances in amplifier circuits and their effect on transient
response. He has also undertaken significant original research on the
subjective effects of distortion.
This research has not only facilitated the
interpretation of amplifier measurements, but has shed light upon the correlation
between measurements and sound quality. The results are easy to appreciate
-
E.A.R. amplifiers are among the most accurate amplifiers ever made!
Esoteric Audio Research
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