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SPL Channel One
   
SPL Channel One
SPL Audio
127 300 руб.
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A complete SPL channel strip for high-definition recording with a host of features

 
The SPL Channel One is a complete channel strip with all the tools onboard for recording voices, instruments and digital or analog audio sources with the highest sound quality: a transistor/ tube preamplifier (12AX7-LPS tube type), a de-esser, a compressor/ limiter with noise gate, an EQ section and a headphone monitor. 
 
The concept of the SPL Channel One is as the ideal recording tool – for hard disk tracking as well as for analog environments. Intelligent automation ensures intuitive, fast operation and guarantees the finest recording results. 
 
The preamp stage provides three (four with converter option) optimised inputs: The microphone input features 48V phantom power, phase reverse function and a subsonic filter. The low-impedance Line input has a precise balancing stage for connecting studio equipment. The low-noise, high-impedance instrument input is easily accessible on the front panel. Digital insert is possible using the optional AD/DA converter
 
The de-esser subtly yet effectively removes offending sibilants by processing only the “S” frequencies. The Auto-Threshold mode ensures constant processing even when the microphone distance varies. All the user need do is set the desired S-reduction. Insert (Send/Return) allows external effects devices to be looped in or the unprocessed pre-stage signal to be sent out.
 
The Compressor/Limiter section is based on SPL’s Double-VCA-Drive® circuitry with its outstanding noise and distortion characteristics. The compressor is extremely easy to use via a single knob; its strength lies in the inconspicuous, musical way in which it works.
 
The Noise Gate operates flawlessly; reverbs are recognized and not cut off. For the SPL Channel One an EQ section was designed especially for processing voices as well as acoustic or electronic instruments. In addition to Low, Mid-Hi and Air-Band filters, a field-effect distortion stage is used to subtly distort the signals in a way that lends character.
 
The headphone monitor allows the singer or speaker to get an individual mix directly and without latency problems in hard disk recording systems.
 
The options include a 24/96 AD/DA converter as well as a sound enhancing Lundahl in- and output transformer.
 

The preamp stage provides three optimised inputs:

  • The microphone input features 48V phantom power, phase reverse function and a subsonic filter.
  • The low-impedance Line input has a precise balancing stage for connecting studio equipment.
  • The low-noise, high-impedance instrument input is easily accessible on the front panel.
 
The new model 2950 brought a facelift to one of our best-selling products. Now the new SPL design represents the common origin of our channel strips Frontliner, Channel One and Track One.
 
However, technically we did not change anything to continue the success of the Channel One with tried and tested quality.
 
The Channel One comes with all tools onboard for recording voices, instruments and digital or analog audio sources with the highest sound quality:
 
Each stage contributes to the concept as the ideal recording frontend for world-class sounds the easy way: intelligent automation ensures both intuitive and fast as well as musical operation for the finest recording results.
 

Sound On Sound (UK), Paul White

"Until you've tried something that works this well, the words 'smooth' and 'detailed' won't have nearly as much meaning as after playing with the Channel One. If you're wondering where that elusive 'produced' vocal sound is hiding, look no further – it's in here!"

 

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